ACMC05 Generate + Test Conference Proceedings
Keynote Speakers
Katharine Neil
Adaptive audio in games
Ross Bencina
The AudioMulch Process – Software Development in Musical Practice
Invited Speaker
Paul Doornbusch
Generate and test
Refereed Papers
* Lydia Ayers & Andrew Horner
Synthesising Music in Csound with a Javanese Gong Ageng
* Jim Barbour
Delivering Spatial Audio
* Andrew R. Brown
Generative Music in Live Performance
* Dave Burraston
Composition at the Edge of Chaos
* Warren Burt
Long Distance Composing for Computer Controlled Microtonal Acoustic Instruments
* Steven Campbell
PLaY+SPaCE: An Ultrasonic Gestural MIDI Controller
% Navin Doloswala
Viewing electronic music arts funding through the lens of emergent networks: Policy implications
* Robert W. Esler
Performing Algorithmic Computer Music
% Angelo Fraietta
Porting Max Patches to the Smart Controller
% Luke Harrald
Fight or Flight: Towards the modelling of emergent ensemble dy-namics
% Barry Hill
Breaking Down The Breakdown
* David Hirst
Developing an Interactive Study Score for the Analysis of Electro-acoustic Music
% Steven R. Livingstone, Ralf Muhlberger and Andrew R. Brown
Playing with Affect: Music Performance with Awareness of Score and Audience
% Peter Mcilwain and Jon McCormack
Design Issues in Musical Composition Networks
* Timothy Opie
Amplitude Analysis in Musical Composition
% Garth Paine and Ian Stevenson
The Thummer™ Mapping Project - ThuMP
% Mark Pedersen and Ralf Muhlberger
Invisible Territory: Sonifying the game of Go
* Alistair Riddell
HyperSense Complex: An Interactive Ensemble
* Greg Schiemer and Mark Havryliv
Pocket gamelan: An Extensible set of microtonal instruments
* Stefania Serafin
Russolo’s Intonarumori: acoustical description and real-time simulation using physical models
* Robert Shelton
Bias, Reuse and Interface Representation
* Francis Soddell & Jacques Soddell
Of Lindenmayer systems, Fungi and Music
% Andrew Sorensen
Impromptu: An interactive programming environment for composition and performance
* Ian Stevenson
Design Issues for New Performance Systems
Artist Talks, Studio Reports, Posters and Workshops
Navin Doloswala
New Sources & New Sounds – Vertical limits: altitude, buildings, the air & the sky
Robert Esler
Innovations in percussion and technology
Stephen Gard
carriers: an archaeology of the airwaves
Rene Wooller, Richie Allen, Matt Petoe, Andrew Strelnikov and Brendan Wright
Jam Experiment Dance Interact – Towards a Participatory Electronic Dance Music Environment
John Coulter, Paul Draper & Matthew Hitchcock
Intermedia, Music Education and Research Design (IMERSD): Studio Report
Christian Haines
Electronic Music Unit (EMU) – Studio Report
Lawrence Harvey
Spatial Information Architecture Laboratory (SIAL) Sound Studios, RMIT university
Peter Mcilwain
Report from Monash University
Garth Paine and Ian Stevenson
UWS Electronic Arts Studio Report
Rolf Nordahl and Stefania Serafin
Medialogy and interactive sound design
Rodney Berry, Mao Makino, Naoto Hikawa and Naomi Inoue
Using a 3D Modeling Package as a Synth Controller
Angelo Fraietta
Mini CV Controller
Anna Gerber
A framework for computer-assisted composition of adaptive music
Frank Millward
IS IT NOW YET?
Jim Plamondon
Isomorphism: The Simple Elegance of Music
Andrew Sorensen
Impromptu
Jeremy Yuille
Working inside the system
Ross Bencina
AudioMulch Interactive Music Studio Clinic
Steve Dillon
The worlds first Networked Improvisational Musical Environment (NIME) for children
* Denotes papers selected by peer review of full paper.
% Denotes papers selected by peer review of abstract.
Programs and Schedules:
|